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Atsuko Tanaka
Works from the Gutai-Period
September 7 – November 3, 2002 |
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"Electric Dress", 1956, Atsuko Tanaka at the 2nd
Gutai Art Exhibition (Ohara Hall in Tokyo), October 1956 |
Drawing for "Electric Dress", 1956, chalk on paper (108,6 x 76), Collection of the artist: Gallery HAM
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"Electric Dress", 1956/1986, Reconstruktion 1986,
Courtesy Takamatsu City Museum of Art |
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Atsuko Tanaka is one of Japan's most renowned
avant-garde artists. She was a member of the Japanese Gutai group
(gutai: concrete) which was founded by Jiro Yoshihara in 1954 and
existed until 1972. The Gutai group brought together different artists
who had experienced World War 2 and all its destruction, the historical
background against which Gutai developed its avant-garde stance.
The Gutai group in general, and Tanaka with her outstanding oeuvre,
in particular, anticipated most significant formulations of post-war
art of the West after 1945. They brought on the radical expansion
of traditional painting and of sculpture in a spatial setting and
in performative actions – a development that in Europe and the United
States only began in the late fifties and early sixties.
Tanaka has redefined the relations between the
body, artistic material, objects and the (exhibition) space in her
installations, drawings and actions. She works with objects taken
from everyday life, such as textiles, door bells and light bulbs.
One of the most metaphorically laden works of the Gutai group is
Atsuko Tanaka's Electric Dress of 1956, a combination of the tradition
of the Japanese kimono and modern industrial technology. The "Electric
Dress" which the artist herself wears in her actions consists
entirely of wires and colored, flashing light bulbs. This piece
already anticipated feminist issues which artists increasingly focused
on in the seventies and before all the artistic use of the body
in risky situations.
The exhibition will feature works from the fifties
and sixties, in addition to three spectacular installations (one
of them outdoors), numerous drawings and paintings as well as videos
of Tanaka's performances and three recent paintings. In addition
the show contains documentation on the activities of the Gutai group.
The Galerie im Taxispalais has been working
together with the Ashiya City Museum of Art & History. Our thanks
go to Koichi Kawasaki and Mizuho Kato, curators at the Ashiya Museum,
for their generous readiness to cooperate and comprehensive conceptual
and organisational support.
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Atsuko Tanaka (*1932) is celebrating
her seventieth birthday this year. The exhibition at the Galerie
im Taxispalais is the first solo exhibition of the artist on the
European continent in a public art space. It will be taking place
as part of the comprehensive program with a focus on Japan in Tyrol,
which will involve institutions working in music, visual and applied
arts, literature, film and architecture based in the cities of Schwaz
and Innsbruck.
The reconstruction of Work*, 1955/1992 (pink
rayon, 1000 x 1000cm) placed in the Hofgarten, Innsbruck (vis-à-vis
the Erherzog-Eugen-Monument) will be on the site from 7 to 22 Sept.
2002.
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Lecture
Mizuho Kato: Characteristics of Atsuko Tanaka's Works
26 October 2002, 6 p.m.
Mizuho Kato is an art-historian and since 1993 curator at Ashiya City
Museum of Art & History, where she curated in 2001 the exhibition
"Atsuko Tanaka: Search for an Unknown Aesthetic, 1954-2000".
Main field in her research is Gutai and the Japanese avant-garde after
1945. |
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Catalog
Atsuko Tanaka
Ed. Silvia Eiblmayr, Galerie im Taxispalais
Contributions by SIlvia Eiblmayr, Mizuho Kato (German/English/Japanese)
Hatje Cantz Verlag, Ostfildern 2002
80 p., 30 images
€ 12,80
ISBN 3-7757-9122-1 |
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With kind support of
Embassy
of Japan in Austria
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Galerie im Taxispalais
Maria-Theresien-Str. 45 A-6020 Innsbruck
Opening hours: Tues - Sun 11 a.m. - 6 p.m., Thurs 11 a.m. -
8 p.m.
T +43/512/508-3172, -3173 F 508-3175 taxis.galerie@tirol.gv.at |
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