The exchange between Camera Austria and the French
sociologist Pierre
Bourdieu in the past years led to a truly comprehensive
project. While doing field work in Algeria between 1958 and 1961 Pierre
Bourdieu created photographs that are both exemplary of his earliest
output and still topical today. He entrusted his archive to Franz
Schultheis and Camera Austria so that these photographs could be
presented to the public in both an exhibition and publication.
Together, Pierre Bourdieu (who died in early 2002) and Franz Schultheis
look through and struc
tured the photographic material, relating it to ethnographic and
sociological studies he produced at the same time in Algeria. The
exhibition “Pierre Bourdieu: In Algeria: Testimonies of
Uprooting” will show the historical, political, scientific
but also biographical contexts in which these photographs were created.
In the course of a conversation with Pierre
Bourdieu on his Algeria studies attention shifted to these (to date
largely unpublished) photographs with spontaneous curiosity soon giving
way to the idea of this project, namely to present to the public a
still unknown facet of Bourdieu’s ethnology. These
photographs from Algeria constitute important primary material from an
ethnographic perspective. They cannot be viewed and interpreted
detached from the knowledge and interests motivating the selection of
motives, the given perspective, the inclusion of context and the
construction of the subject to be captured without neglecting the
context-specific social meaning and political dimension of this
imagery. The images are already “framed” and dated
by the conditions in which they evolved, placed in a clearly defined
socio-historical context. They are meant to document something in a
specific way, or in Bourdieu’s term: to
‘objectify’ something.
All of the main themes of Bourdieu’s
sociology are present in this early phase. He explores the subliminal
rules of exchange, the social embedding of economy, the relation of
temporal structures to rationality, the symbolic structures of society
and the power relations between genders, generations and social
classes. These are questions that are also of significant cognitive
import for his later writings. The photographs are considered a
“pivotal work”, serving as catalyst for unearthing
various complex themes that are intrinsic to Pierre
Bourdieu’s theoretical work.
Bourdieu’s pioneering field studies that
are now for the first time complemented by photographic components
provide insight into the nascent state of his sociology. In addition to
this historical dimension of his oeuvre Bourdieu’s
photographs, however, also retain the character of a compelling
socio-historical document. They are evidence of a social world replete
with non-simultaneities, whose people even today have not succeeded in
overcoming their homelessness and lack of roots – an
alienation vis-à-vis both tradition and modernism. Perhaps
Algeria’s tragic dimension manifested here is to be found in
the fact that even after four decades the photographs have not lost any
of their topicality and realism.
The exhibition was curated by Christine
Frisinghelli, Camera Austria, Graz, and Franz Schultheis, Fondation
Pierre Bourdieu, Départment de Sociologie,
Université de Genève.
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