|
|
|
Ana Lupas
28 June
– 24 August 2008
|
|
|
|
|
|
Ana Lupas, Solemn Process,
Transsilvania, 1964 – 1974/76; Solemn Process, 1985-2008. Courtesy Ana Lupas, photo: Rainer Iglar |
Ana Lupas, Humid Installation, 1970. Courtesy Ana Lupas
|
|
|
|
|
Opening
Friday,
27 June 2008, 7 pm
To be opened by Silvia Eiblmayr, director
Alina Şerban, curator and art critic, Centre for Visual Introspection, Bukarest, will speak about the exhibition.
Welcome by Carmen Bendovski, director of the Romanian Cultural Institute, Vienna
|
|
|
|
Ana Lupas
figures among the most important international artists who, through a
sophisticated process of creation, have continually expanded the
conventional understandings of Conceptual Art. Author of objects,
textiles, environments, happenings, installations, performances, Ana
Lupas has developed, starting from the mid-sixties, a complex nest of
art interventions which have systematically aimed at dismantling the
traditional structure of the artwork. Further, it is important to
accentuate the seminal influence that Ana Lupas’ exceptional
artistic personality had on a generation of Romanian artists in the
1970s.
Located between the spaces of art and life, the work of Ana Lupas is
the result of a long process of elaboration and conceptualization,
which starts from a self-questioning of how art must be communicated
and displayed. The directions and strategies of her artistic practice
highlight the fact that the gesture of art/ist must be experienced by
the spectator and be made immediately available to him. Aspiring at a
re-connection with the natural, at a rehabilitation of a universal
harmony, her performative installations and objects acquire utopian
feature and monumental presence.
The exhibition at Galerie im Taxispalais is focusing on two extensive
outdoor installations produced during the mid-sixties and beginning of
the seventies, respectively: “Solemn Process“ (1964) and
“Humid Installation” (1970).
In 1970 Ana Lupas created the first large “Humid
Installation” in Mârgău village, Transylvania. Amplifying
an older work she produced in the Grigorescu district of Cluj in 1966,
this ephemeral installation was realized with the help of 100
inhabitants of the village. The artistic intention adds to the domestic
gesture of hanging the laundry a new function and connotation. Dozens
of lines hung with wet, white linen were drawn over the whole of a
hill, modulating the space, aiming to an infinite dimension and to a
global natural continuation. The symbolic process of purification
(cleaning), accomplished through an aesthetic act, functions for the
artist as social therapeutics.
Situating in her practice close to the work of an ethnologist, Ana
Lupas usually makes appeal to visual references and practices belonging
to a traditional culture. Already in 1964 Lupas created the work
“Solemn Process“, minimalist objects manufactured of straw
in various dimensions: steles, wreaths and circles which were installed
and arranged outdoors and inside the village’s houses. Involving
the people in the production of these objects, “Solemn
Process“ embodies a traditional ritual whose solemnity generates
not only the production of formal structures beautiful in their
representation which melt within the natural surroundings, but also a
new reconsideration of the conditions of creation of the art object.
In her later process-related steps Lupas transformed some of her early
works by conveying them into new materials. For example, she created
linen sheets out of bitumen-saturated textile, paper or aluminum; for
her straw objects she produced closed, sculptural plate repositories
which she entitled “cans“. Lupas shows a space-filling
installation of these sculptures whose interior is not revealed
anymore.
The process of “conservation” and
“restauration” emphasises questions of permanence of the
artwork, referring either to its physical condition or to its
discursive, interpretative condition. In her attempt to conserve early
works, Ana Lupas accentuates the fact that the rapport of art with
itself is essentially historical and that the process of translation
and restoring the historical pieces can be read as an attempt to fix
and/or to rethink a process.
Ana Lupas was born in Cluj in 1940. She lives and works in Cluj. |
|
|
|
Curated by
Alina Şerban in collaboration with Silvia Eiblmayr
Catalogue
An exhibition catalogue is being published.
Thanks to
Promocult – Project supported by Ministry of Culture and Cults, Romania
Romanian Cultural Institute, Vienna
Centre for Visual Introspection, Bukarest |
|
|
|
Galerie
im Taxispalais Maria-Theresien-Str. 45 A-6020 Innsbruck
Öffnungszeiten: Di-So 11-18, Do 11-20 Uhr LeseRAUM:
Di-So 11-18, Do 11-20 Uhr
T +43/512/508-3172, -3173 F 508-3175 taxis.galerie@tirol.gv.at |
|
|
|